About
Theatre
The School Leaver
Hard Time Pressure
Carve Your Name
Day of Action
On Duty
First Impressions
Portrait of a Shopping Centre as a Cathedral
The Last Blind Date Show
Invisible
Invisible (The King's Head)
I hope its not a Black man
Brother to Brother
Brother to Brother (Zebra Crossing)
In My Father's House
Brother 2 Brother
After Windrush
Master Juba
Babel Junction
The Good Person of Sezuan
Waiting for myself to appear
Radio, Television & Film
On Duty (drama/documentary)
The Diaries
Blood for Britain
Waiting for myself to appear (film installation)
Walking in the Wake
King Cotton
Books
Words, Sounds & Power
Living Proof
The Black Boy Pub & Other Stories
Growing up is hard to do
If I could fly
Same Difference
The Front Room: Diaspora migrant aesthetics in the Home
Installations
The Black Chair
The West Indian Front Room (BAA)
The West Indian Front Room (The Albany Deptford)
The West Indian Front Room: Memories and Impressions of Black British Homes
Van Huis Uit: The living room of migrants in The Netherlands
The Beauty Shop
A Living Room Surrounded by Salt
Doing nothing is not an option
The Front Room 'Inna Joburg'
Rockers, Soulheads & Lovers
The Front Room (Passages)
The Front Room (Museum of the Home)
I Miss My Mum's Cookin' (Brighton Fringe)
Other Published Works
The School Leaver
On Duty
Black and Asian Plays Anthology (Brother to Brother)
4 For More (Brother to Brother)
Black Theatre in Britain
Going Underground
Healing Histories
Group exhibitions
The Southall Story
I Miss My Mum's Cooking
Origins of the Afro Comb
No Colour Bar
The Front Room (Home Sweet Home)
The Front Room (Life Between Islands)
The Front Room: Inna Toronto/6inx (Art Gallery of Ontario)
How Cotton Became King
Residencies & Workshops
Young People's Health Project
The Waiting Room
Room for Room
We are not Therapists
Videos
Events
New Events
Contact
Menu
Michael McMillan
About
Theatre
The School Leaver
Hard Time Pressure
Carve Your Name
Day of Action
On Duty
First Impressions
Portrait of a Shopping Centre as a Cathedral
The Last Blind Date Show
Invisible
Invisible (The King's Head)
I hope its not a Black man
Brother to Brother
Brother to Brother (Zebra Crossing)
In My Father's House
Brother 2 Brother
After Windrush
Master Juba
Babel Junction
The Good Person of Sezuan
Waiting for myself to appear
Radio, Television & Film
On Duty (drama/documentary)
The Diaries
Blood for Britain
Waiting for myself to appear (film installation)
Walking in the Wake
King Cotton
Books
Words, Sounds & Power
Living Proof
The Black Boy Pub & Other Stories
Growing up is hard to do
If I could fly
Same Difference
The Front Room: Diaspora migrant aesthetics in the Home
Installations
The Black Chair
The West Indian Front Room (BAA)
The West Indian Front Room (The Albany Deptford)
The West Indian Front Room: Memories and Impressions of Black British Homes
Van Huis Uit: The living room of migrants in The Netherlands
The Beauty Shop
A Living Room Surrounded by Salt
Doing nothing is not an option
The Front Room 'Inna Joburg'
Rockers, Soulheads & Lovers
The Front Room (Passages)
The Front Room (Museum of the Home)
I Miss My Mum's Cookin' (Brighton Fringe)
Other Published Works
The School Leaver
On Duty
Black and Asian Plays Anthology (Brother to Brother)
4 For More (Brother to Brother)
Black Theatre in Britain
Going Underground
Healing Histories
Group exhibitions
The Southall Story
I Miss My Mum's Cooking
Origins of the Afro Comb
No Colour Bar
The Front Room (Home Sweet Home)
The Front Room (Life Between Islands)
The Front Room: Inna Toronto/6inx (Art Gallery of Ontario)
How Cotton Became King
Residencies & Workshops
Young People's Health Project
The Waiting Room
Room for Room
We are not Therapists
Videos
Events
New Events
Contact
How Cotton Became King